This discussion of Index, a History of the by Dennis Duncan is a big day for Victoria because it’s an episode all about her favorite thing ever: sorting things into categories. Julia is there to help translate the Middle English quotes.

Julia and Victoria read The Mountain in the Sea by Ray Naylor, a book about an island that is possibly mountainous and may be either in or on the sea, TBD. There are also incredible octopuses and monk robots and workers revolts and lots of long, cynical speeches about the supposed nature of humanity.

Victoria teaches Julia all about the origins, tropes, and metaphors of vampire lore. They discuss the origins of vampire stories in Slavic folklore, the Great Vampire Epidemic of the 18th century, the blood-sucking breakup novel Lord Byron’s “travel companion” wrote about him, and lament the loss of a key source for Victoria’s vampire-as-justice analysis that she lost when she closed all her tabs.

Julia takes Victoria on a deep dive of octopus stories throughout time and space in this first episode of The Vampire & the Octopus series. We tackle questions like “Are octopus stories a form of colonizer horror?” and “What’s with all the octopus books coming out recently?” and “Why did the 19th century French think the octopus was the physical embodiment of hell?”

Julia and Victoria conclude that How High We Go in the Dark by Sequoia Nagamatsu is a very good book–Julia is just sad.

Julia and Victoria try to decipher the rules of Eight Billion Genies, the newest comic book series from Charles Soule and Ryan Browne, because Julia likes rules. They also learn about how one random French guy playing fast and loose with a One Thousand and One Nights translation made up most of what the “Western” world “knows” about “genies.” Tale as old as time.

Julia and Victoria are surprised to find hope and belonging in a new story of humanity with The Dawn of Everything by “the Davids” (Graeber and Wengrow), the anthropological clapback to Sapiens by Harrari.