This discussion of Index, a History of the by Dennis Duncan is a big day for Victoria because it’s an episode all about her favorite thing ever: sorting things into categories. Julia is there to help translate the Middle English quotes.

Julia and Victoria read The Mountain in the Sea by Ray Naylor, a book about an island that is possibly mountainous and may be either in or on the sea, TBD. There are also incredible octopuses and monk robots and workers revolts and lots of long, cynical speeches about the supposed nature of humanity.

Victoria teaches Julia all about the origins, tropes, and metaphors of vampire lore. They discuss the origins of vampire stories in Slavic folklore, the Great Vampire Epidemic of the 18th century, the blood-sucking breakup novel Lord Byron’s “travel companion” wrote about him, and lament the loss of a key source for Victoria’s vampire-as-justice analysis that she lost when she closed all her tabs.

Julia takes Victoria on a deep dive of octopus stories throughout time and space in this first episode of The Vampire & the Octopus series. We tackle questions like “Are octopus stories a form of colonizer horror?” and “What’s with all the octopus books coming out recently?” and “Why did the 19th century French think the octopus was the physical embodiment of hell?”

Julia and Victoria conclude that How High We Go in the Dark by Sequoia Nagamatsu is a very good book–Julia is just sad.

Julia and Victoria try to decipher the rules of Eight Billion Genies, the newest comic book series from Charles Soule and Ryan Browne, because Julia likes rules. They also learn about how one random French guy playing fast and loose with a One Thousand and One Nights translation made up most of what the “Western” world “knows” about “genies.” Tale as old as time.

Julia and Victoria are surprised to find hope and belonging in a new story of humanity with The Dawn of Everything by “the Davids” (Graeber and Wengrow), the anthropological clapback to Sapiens by Harrari.

Julia and Victoria contemplate mortality (and whether they could be buried under paper trees to become books in their next lives) with the help of the darkly comic memoir Smoke Gets In Your Eyes by Katelyn Doughty about a young woman trying to become a mortician and revolutionize the way Americans handle death.

When Julia and Victoria found out there was a book out there in the world which combined feminism, writing, and data (aka their three favorite things) called Invisible Women by Caroline Criado Perez, they absolutely had to read it for Book Club. Victoria talks very fast about women’s unpaid labor, and Julia realizes she can ask the world to design things that actually fit her tiny hands. Fair Warning: This is not the book to read before bed because it will fill you with a burning feminist rage that cannot be contained.

Julia and Victoria outline the parallel narratives of We Were Eight Years In Power: An American Tragedy by Ta-Nehisi Coates: 1. The journey of Coates as a writer and thinker on the rise during Obama’s presidency, and 2. His essays unraveling the true tragedy of America’s history buried underneath the country’s larger-than-life myths.

Where does our food come from? (And why is there so much corn in everything?) Julia and Victoria, with special guest and Book Club’s project manager Rebecca Gesme, discuss Michael Pollan’s The Omnivore’s Dilemma in which he endeavors to answer these very important and complicated questions.