Julia makes her case of why the creature in Grady Hendrix’s The Southern Book Club’s Guide to Slaying Vampires is NOT really a vampire, and Victoria makes a counterargument that it is actually the MOST vampire. They are both generally infuriated with everyone in this novel except Mrs. Green.

Victoria teaches Julia all about the origins, tropes, and metaphors of vampire lore. They discuss the origins of vampire stories in Slavic folklore, the Great Vampire Epidemic of the 18th century, the blood-sucking breakup novel Lord Byron’s “travel companion” wrote about him, and lament the loss of a key source for Victoria’s vampire-as-justice analysis that she lost when she closed all her tabs.

Julia takes Victoria on a deep dive of octopus stories throughout time and space in this first episode of The Vampire & the Octopus series. We tackle questions like “Are octopus stories a form of colonizer horror?” and “What’s with all the octopus books coming out recently?” and “Why did the 19th century French think the octopus was the physical embodiment of hell?”

Julia and Victoria learn what the word “flannel” means in British English and formulate their own theories about what happened to a stranded deep-sea researcher in the devastatingly beautiful novel Our Wives Under the Sea by Julia Armfield.

Julia is truly bamboozled, Victoria embraces that she is a vampire girlie, and they both dig into the context of Joseph Sheridan LeFanu’s Carmilla, edited with commentary by the absolute legend Carmen Maria Machado.

Julia and Victoria apply a postcolonial perspective to Ayana Lloyd Banwo’s When We Were Birds, a novel about death, magical matriarchs, love, and VIBES.